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Daniel Berehulak is an award-winning independent photojournalist based in Mexico City, Mexico. A native of Sydney, Australia, Daniel has visited over 60 countries covering history-shaping events including the Iraq war, the trial of Saddam Hussein, child labour in India, Afghanistan elections and the return of Benazir Bhutto to Pakistan, and documented people coping with the aftermath of the Japan Tsunami and the Chernobyl disaster. His work has been recognized with two Pulitzer prizes. In 2015, for Feature Photography for his coverage of the Ebola epidemic in West Africa and in 2017 for Breaking News Photography for his coverage of the so-called war on drugs in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of the 2010 floods in Pakistan. These are some of several honors his photography has earned including six World Press Photo awards, two Photographer Of The Year awards from Pictures of the Year International and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club amongst others. Born to immigrant parents, Daniel grew up on a farm outside of Sydney, Australia. Their Ukrainian practicality did not consider photography to be a viable trade to pursue so at an early age Daniel worked on the farm and at his father's refrigeration company. After graduating from The University of NSW with a degree in History, his career as a photographer started humbly: shooting sports matches for a guy who ran his business from his garage.
I’ve spent the last 20 years as an award-winning visual journalist and author working in conflict zones and complex humanitarian emergencies. With extensive experience managing complicated operations and logistics, especially in challenging environments, I have a track record of delivering industry-leading coverage as well as building and managing diverse, effective, and innovative teams able to thrive in an ever-evolving media landscape. My focus in recent years has been on leading collaborative multi-platform projects that develop and promote a more representative range of voices and perspectives in the photojournalism industry while translating strategic and editorial objectives into engaging and compelling narratives that influence global audiences. I am committed to educational, mentoring, and personal development initiatives aimed a meaningful diversification of the media landscape and the promotion of social justice.
Meridith Kohut (b.1983, USA) is an American photojournalist based in Caracas, Venezuela, where she has worked covering Latin America for the foreign press since 2007. For the past three years, she has spent nearly every day documenting the economic and humanitarian crisis in Venezuela – photographing thousands waiting in breadlines, patients dying from medicine shortages in collapsed public hospitals, people clashing with security forces in violent, anti-government street protests, laboring in illegal gold mines and getting smuggled alongside cocaine out of the country in small boats. Her work has resulted in dozens of front-page stories published in The New York Times, and is widely recognized as the largest and most comprehensive photographic archive of the crisis made by a single photographer. Her Venezuela crisis work has been recognized by The Overseas Press Club, The George Polk Journalism Awards and Pictures of The Year International. Her 5-month investigation and photo essay that exposed that hundreds of children had died from severe child malnutrition in public hospitals was a finalist for the Pulitzer Prize in Feature Photography in 2018. She earned a Courage in Journalism Award in 2018 from the International Women’s Media Foundation. Kohut has also produced in-depth photo essays about the rise and fall of Hugo Chávez’s socialist revolution in Venezuela, the drug trade in Bolivia, Cuba's transition, gang violence in El Salvador, refugee and migration issues in Central America, labor rights and cholera outbreaks in Haiti, prostitution in Colombia, illegal gold mines and human rights abuses in Venezuela, and prison overcrowding in El Salvador, among others. She is a regular contributor to The New York Times. Her photographs have also been published by National Geographic, Leica, TIME Magazine, National Public Radio, The Washington Post Magazine and Der Spiegel. They have been exhibited at Visa pour L'Image, Sotheby’s London, The Annenberg Space for Photography, Columbia University, The Leica Gallery Salzburg & Photoville in Brooklyn, New York. Kohut is a graduate of the University of Texas' School of Journalism, the 2007 Eddie Adams Workshop and the 2015 World Press Photo Masterclass in Latin America. She is available for assignments throughout Latin America, the Caribbean and the USA.
Saumya Khandelwal is a contributing photojournalist with TIME, National Geographic, The New York Times etc. based in New Delhi, India. A Getty Images Instagram Grantee 2017 for her work ‘Child Brides of Shravasti’, her works focus on gender and environmental issues. Nominated for World Press Photo 6X6 Global Talent Program from Asia region in 2019, Khandelwal has built a diverse body of work spanning journalism and documentary genres of photography over the past seven years. Khandelwal has previously worked with Thomson Reuters and national daily Hindustan Times. She has also contributed for The Wall Street Journal, Washington Post, Rest of World, The Guardian, Bloomberg Businessweek, Stern, Der Speigel, Nzz Am Sonntag, MIT Technology Review, Virginia Quarterly Review, Vanity Fair, Caravan etc. and NGOs Bill and Melinda Gates Foundation, Malala Fund, Acumen, Path India etc. Recipient of the National Foundation of India Award 2017, Khandelwal's work has also been exhibited at Getty Images Gallery, London, Foreign Correspondent's Club, Hong Kong, India Photo Festival, Hyderabad, and Goa Photo Festival; and digitally exhibited at Women in Photography slideshow, Singapore.
I've worked in 50 countries across six continents. My photographic reporting has been published in National Geographic, Smithsonian, GEO, The New Yorker, Time, The New York Times Magazine, The Guardian, Stern Magazine, and Terra Mater. Attending the Eddie Adams Workshop in 1998 marked the start of my career, and the following year I was nominated for the World Press Photo / Joop Swart Masterclass. Since then, professional organizations have recognized my work with awards, such as Pictures of the Year (POYi), National Press Photographers Association (NPPA), Communication Arts, American Photography, Px3, among others. Along the way, I've also served on the juries of the Nikon photo contest, the Andrei Stenin Photo Competition, the Harry Chapin Media Awards and worked as an adjunct professor at Columbia University’s Graduate School of Journalism and at the International Center of Photography.
Whitney Curtis is a photographer based in St. Louis, Missouri, who tells visual stories for a wide range of editorial, commercial and nonprofit clients. After graduating with a degree in photojournalism from the University of Missouri-Columbia, Whitney worked as a staff photojournalist at The Kansas City Star, northern Utah’s Standard-Examiner and the Daily Herald in suburban Chicago. She is an alumna of the Eddie Adams Workshop, Missouri Photo Workshop and NPPA's Multimedia Immersion Workshop. She has also received hostile environment and first aid training. As an editorial photojournalist, her work has been honored by the Associated Press, NPPA’s Best of Photojournalism and Women in Photojournalism. Her work has appeared in group exhibitions at the United Nations Visitor Centre, the International Criminal Court in The Hague, The Nelson-Atkins Museum of Art and the Monroe Gallery of Photography.