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John Fedele needed a printed version of his portfolio, and Honore Brown and Mike Hoover assisted him in creating an edit and then printing the images to go into his book.
With only three days at her disposal, photo editor Molly Glynn produced a print portfolio for Dallas-based photographer Matt Hawthorne, just in time for an NYC meeting.
I regularly handle print edits, helping to select and sequence every page, but I can also take an existing edit and layout and align it on the page. Such was the case with South African photographer Inge Prins, who designed her own print portfolio and asked us for help bringing it to life.
Little Rock, Arkansas based photographer Karen E. Segrave has a lot to be excited about these days. Back in October, she contacted Wonderful Machine about creating a new print portfolio and print promos, and we were more than happy to help her out.
A few months ago, I started working with San Diego-based photographer David Troyer and really enjoyed the opportunity to take an in-depth look at his work.
I’ve been working with Reno-based member photographer, Jamie Kingham, for a few months now and really love his fresh and upbeat approach to Lifestyle and Brand Narrative photography. After getting him listed on our site, the next step was helping him make a portfolio to send out with our Associate Producers during our client-facing Portfolio Events.
Shawn Hubbard is a sports, fitness and reportage photographer based out of Baltimore, Maryland. He’s also the team photographer for the Baltimore Ravens.
In our efforts to promote our photographers for one-on-one meetings with our clients during our research and outreach process, I was grateful to have received a response from the photo assistant of The New York Times Magazine…
We’re excited to debut our new podcast series with Sprouting Photographer! A blog produced especially for professional photographers that offers advice about the business of being creative through how-to articles and podcasts that are designed to help strengthen your photography business.
Wonderful Machine photo editor Morgan Kazanjian explains the process behind editing and creating a print portfolio for Ketchum, Idaho fashion, kids and lifestyle photographer Hillary Maybery.
Inti St. Clair recently approached us about making some changes, as she was poised for some major shifts in her business: a move away from stock towards more assignments, and a move from Seattle to St. Louis! Inti’s been a WM member for a long time. We enjoy her work and always love chatting with her, so of course, we were excited to work with her on a web edit and print portfolio.
Meet George Qua-Enoo: Whether he’s shooting gorgeous models in Toronto or documenting daily life in his homeland of Ghana, he brings out a richness that stylishly unifies his imagery. Already having a cohesive photographic identity, George came to me looking for a way to strengthen the unification of his presentation, and I happily jumped on board to help.
In hindsight, Dom Romney’s portfolio might have gotten a bit out of hand, but this can happen when an enthusiastic photographer is willing to entertain pretty much any idea I throw their way. What started out as a simple portfolio edit is now a portfolio/leave behind/mailer/powerhouse.
I recently completed editing a new print portfolio for Miami-based photographer Dana Hoff. Dana shoots primarily architecture and food and decided his old books were no longer up to snuff. To get a sense of where he was coming from, I browsed through his old portfolios and let him know I thought a new book was a good idea—his old ones seemed, as I put it to him, “a little wacky.” They were longer than they needed to be, and a bit scattered. Often, I find that photographers approach portfolio editing as they would their blogs, just continually adding new work without removing the old stuff.
San Francisco-based portraiture and travel photographer Eric Millette had gone years without a printed book, so he asked us to design, edit, and print one using samples of his work.