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Unpublished: Kirsten Miccoli Revives Renaissance Art

BY Liz Wolf 15 October 2021
Published, Photographer Spotlight

At an early age, Chicago-based photographer Kirsten Miccoli was staging complex self-portraits, playing with distinct ideas, wardrobes, and props to bring her artistry to life. Her interest in fine art has inspired concepts like Kirsten’s “Almost Paintings,” where she uses her models as an artist’s canvas.

Kirsten’s most recent collection, Digital Renaissance, is inspired by a combination of various mediums. Through motion, fashion, and fine art, Kirsten reimagines the work of the Renaissance masters for the modern age.

Model Amelia Pool draped in a red long sleeve toile gown in front of projected Renaissance art shot by Kirsten Miccoli

Creating and executing my vision helps keep my passion for photography and videography alive over the years.

Model Amelia Pool sitting down wearing pearl studded tights and blue toile dress amid a smoky set shot by Kirsten Miccoli

Kirsten has been photographing professionally for the last 15 years, and she’s continually inspired to explore new avenues when visualizing concepts. The inspiration for this series came from a projector, which provided Kirsten with endless possibilities for setting the tone with different backdrops.

I have always loved referencing painting within my personal work so this project became an extension of that.

Model Amelia Pool wearing silver and gold flower embellished coat sitting in front projected Renaissance art shot by Kirsten Miccoli

After experimenting with several ideas, Kirsten settled on blending modern fashion photography with art from the Renaissance to produce an elegant series that feels timeless. Through the use of dramatic lighting and ethereal-looking special effects, the images appear set in a fantasy world.

I loved the idea of pulling imagery from traditional and well-known renaissance art and architecture and pairing it with modern fashion and talent.

Model Amelia Pool wearing long red gown with matching red gloves standing in front projected Renaissance art shot by Kirsten Miccoli

Kirsten meticulously planned the tone of the series, creating mood boards to inform the images’ color palettes, make-up, and wardrobe. Along with props and wardrobe, she also carefully chose the art and architecture she would for the backdrops. This tangible guide helped the team collaborate on creating the exact atmosphere that Kirsten envisioned for the project.

I used those mood boards to put together the talented team I felt would bring this vision to life.

Model Amelia Pool wearing blue toile dress standing in front of projected Renaissance art shot by Kirsten Miccoli

The nature of this project needed a controlled environment, so Kirsten shot in her Humboldt Park studio where she has worked out for three years. Though she typically allows for natural light to brighten her studio, this shoot required a completely dark room where the projected backgrounds could be seen in detail. 

Model Amelia Pool wearing white toile dress and red gloves standing in front projected Renaissance art shot by Kirsten Miccoli

We shot this in the middle of the day and it needed to be black in my studio for the projection to appear at all.

Model Amelia Pool lifts her arms and spreads her black dress out like a fan shot by Kirsten Miccoli

To ensure she could see the talent in the dark and moody space, Kirsten was careful to light the model just enough without outshining the image projected behind her. She utilized hot spots, a smoke machine, kept the light source in the image, and projected the art onto the face of the subject to play with layering the luminous rays.

This project allowed me to experiment with continuous lighting and I loved the results. Since the project, I have been incorporating this technique into my work with clients as well.

Model Amelia Pool lace and toile coat with projected Renaissance art lighting her face shot by Kirsten Miccoli

Kirsten has worked with the model, Amelia Pool, many times over the last ten years. This ongoing partnership aids Kirsten on set as Amelia understands her direction and knows how to interpret the vision for the shoot. Amelia is also a photographer so she has an idea of what poses and angles will work well. 

She is wonderful at moving her body and has worked behind the camera as well, so that allows me to be more creative.

Model Amelia Pool moving her arms to dance with the toile of her blue dress shot by Kirsten Miccoli

This project was Kirsten’s first personal series after the pandemic, and she felt the team was enthusiastic to be back in their creative realms. She appreciates working with individuals who share in her excitement overseeing the creations as they come together. The team’s positive energy helps a long shoot day pass with ease. 

I like to share the images as we are shooting and see everyone get excited about the results. It helps to make the shoot even more epic.

Model Amelia Pool wearing white layered toile dress and red gloves in front projected Renaissance art shot by Kirsten Miccoli

Kirsten came to this project with a vision and a team that she trusted to help her execute it. She has learned over the years how best to organize and prepare before shooting, always keeping props on hand to fit the creativity of the moment. While she expands her career with fashion and editorial assignments, Kristen’s personal projects allow her to explore her imagination and use her photography skills in new creative ways.

Credits

Photographer: Kirsten Miccoli
Model: Amelia Pool
Styling: Angela Kelly
Hair/Makeup: Leanna Ernest


See more of our photographers’ projects on our Unpublished page.
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