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In nearly two decades in the commercial photography industry, Natalia proves a skillful dedication to the entire photography production process. During college, she kept her nose in the books for her commercial photography degree while working for internationally known photographers from coast-to-coast including Pete Barrett and Jim Erickson. Returning to NC, she worked as an independent retoucher and producer and began work with Jimmy Williams as Studio Manager. As a freelance photographer since 2007, Natalia travels with the lens of a storyteller. In addition to corporate and agency commissions, her immersive photographs have captured the landscapes of Southeast Asia, her own extended family dinner table in Chile, and delicate portraiture of coconut farmers in Panama. When she isn’t packing a suitcase or behind the viewfinder or monitor, Natalia can be found at home in Durham, NC stopping in on classes at Duke’s Center for Documentary Studies, volunteering for environmental and social causes, or joining friends on spontaneous bicycle tours. As a former professional salsa dancer, she occasionally dusts off her heels and hits the pista de baile.
I didn’t plan to be a photographer when I was a kid – I thought I’d be a veterinarian, an ad man on Madison Ave (hello, Don Draper!), or an astronaut. You know, the usual. But, I picked up a camera while in the army, and the rest, as they say, is history. My photography resume is long and diverse – at different times, I have been a conflict, newspaper, sports, lifestyle, fashion, portrait, feature and food photographer. I have lived and worked in NYC, LA, Miami, DC, Phoenix, Harrisburg, PA, and for the last 11 years, Charlotte. All of these locations and experiences through my career have shaped my perspective. I capture real moments, tell rich stories, and make people and products look great for brands, magazines and ad agencies. My work is real, relatable, honest and authentic. Whether everyday people or hired talent, I have a natural ability to make people comfortable in front of my lens. We have fun on my shoots, I don’t yell, and, on the best days, we eat NC BBQ. I live with my wife and 3 rescue dogs on an acre within the Charlotte city limits that we bought (mostly) for the dogs. When not out shooting, you can usually find me working on personal projects, or exploring a new hobby, or fly fishing for anything that swims. Some fun facts about me below – the rest you need to learn for yourself. So, let’s work together! • I drink a LOT of iced tea and there will always be some on set • I was a Paratrooper in the US Army and have over 75 jumps • I have seen every episode of Law and Order (go head, challenge me!) • I will travel almost anywhere, anytime to eat BBQ • Every fish I catch is released alive to live another day • I have counted over 25 species of birds at our yard feeders • I hiked over 700 miles of the Appalachian Trail in one trip
I am a commercial and editorial photographer who is inspired by human stories. Every story and assignment I shoot is conveyed through that lens of storytelling. I am inspired by the places where life, travel and education combine. I thrive at the intersection of documentary and commercial – and am equally comfortable shooting corporate lifestyle work as I am shooting images in remote hospitals in the Himalayas foothills.
Born and raised in the Midwest. I first became interested in the arts in high school. This is where I began my creative journey and first felt what it was like to create something entirely your own. I started my BFA with a focus on painting, though that quickly shifted into digital media. I have always been interested in and drawn to technology’s advances as well as their origins. I then started to explore sculpture and how different types of digital media could play a role in three-dimensional work. My work shifted into building my cameras while merging traditional and new photographic processes. Upon graduation, my passion for photography grew as I learned more about lighting and started to develop my photographic style.
I’m Mike. I’ve been working in the world of photography for as long as I can remember. My work has always centered around people. People in factories. People behind fancy desks. People in fields of soybeans. People in race cars. People. That’s what I enjoy. This wonderful career/life has taken me from the Outer Banks of North Carolina to the shores of Tulum, Mexico. From the vineyards of Napa to the board rooms of Fortune 500 companies. From the pristine golf courses of Georgia to the factories of South Carolina. I’ve been fortunate to see so many wonderful places and to meet so many awesome people. It’s been fulfilling. Through it all I do my best to remember that I come from a family of givers. My father was career Coast Guard and my mother, the director of a soup kitchen she started in 1990. I am one of four children in a home like so many others. We laughed a lot. Told stories a lot. And learned to work hard. Living now with my lovely wife, Lauren, on Lake Murray, SC we find ourselves very busy balancing our careers and raising our own family. We have two amazing daughters, Lucy and Ella. We do our best to continue the lessons of laughter and story telling and, of course, hard work. As my career enters its 28th year I find myself looking back and smiling. I’ve met some wonderful people and I’ve enjoyed every minute. Cheers to that and to the next 28 years.
Astronauts to athletes, International publishers to individual writers, artists, developers, restaurants, designers, couples, babies, corporations and cuddly dogs. Jack has photographed in over thirty countries since 2006 covering a multitude of topics, styles, interests and clients. He prides himself in his versatility within the photography field, offering well rounded yet high quality, creative photography and an easy going, stress free experience. Delivering expectation-busting photography within every budget makes top notch photography from Jack Robert accessible to organizations large and small.
I grew up on the south side of Chicago + some say I still carry the accent. Apparently when I order a "salad" or say I’m from "Chicago", I sound like a Super Fan. Nonetheless, I’m fond of my accent + I’m pleased to be connected to such an iconic city. Growing up in a working-class family built the fibers of what I am today. I’m still based in Chicago, conveniently located in the River North area. When not traveling, I’m at home with my husband, daughter + our two dogs. I love all of them, equally. I find great comfort in cooking at home, but always enjoy a night out in heels. I love cleaning, it's my therapy. I donate my free time to the local animal shelter down the block with photography services + foster dogs in need. As hard as it is not to get attached, it brings me great joy to have assisted in a second chance. I have a shoe addiction + love a good sale. I can’t walk past a dog on the street without saying hello, which I have passed that love of dogs along to my daughter. Since my husband introduced me to Korean food, I love it and there's no turning back. We got married in Italy, but neither of us is Italian.
I've been producing photographs since 1988 for national media including Time, Forbes, BusinessWeek, National Geographic Traveler, New York Times magazine, Men's Vogue, Runner's World and Bon Appetit, nonprofits as the University of Chicago, Northwestern University and the National Trust for Historic Preservation, and corporations including Burberry, the Bank of Montreal, and GMC.
Since I can remember I’ve been a builder. When I was a kid I used to save all the cardboard in our house to make toys with. From cereal boxes to toilet paper rolls I would collect it all and make the most elaborate, functional play things. As a grew up my materials expanded and my inventions became more complex and detailed. When I got to college I picked up my first serious camera and I fell in love with the manual nature of its functionality. I loved the process it took to actually create an image. I’m a maker and when it comes to making images the precision, thought, and shaping that goes into my shots is what I love about this work. Whether I’m shaping light, the creative concept, or the final color in post-production every piece of the assembly is essential in the final construction of an image that tells the whole story. I hope you enjoy what you find and I would be honored to build images for you that are shaped by this unique way of creating. If you have questions or would like to know more about how I can help your business please reach out.
I don’t enjoy talking or writing about myself; I like my photographs to do that for me. Yet I know it is helpful for those reviewing my body of work to know a little about me and how I approach my profession. The photo I’ve elected to include of me is from my first visit to Poland at the age of 10. My Ciocia Nusia bought me my first camera, igniting a curiosity that has matured over time and experience but remains the cornerstone of my approach to my work. Photography has provided me with the opportunity to work with subjects and attend events that I would otherwise have missed, thereby enriching my professional and personal lives. I love the creative side of photography and each year complete independent photographic projects so I continue to learn and never become complacent. My goal is to help such organizations develop their voice. When working with clients, I firmly believe collaboration is important to ensure the product is of the highest quality, meets the clients’ needs and desires, and is delivered in a timely manner. No matter what size a project is, I pride myself in doing whatever it takes to get a great product. My clients range from Loyola Hospital, BusinessWeek, DDB, Supercuts, Northwestern University, Forbes, Follett of Higher Learning, Blue Cross Blue Shield of Illinois, BlackWell Consulting, First Health, Harley Davidson, GTCR, Simple Truth, Allstate and Apple, Inc.
Kat Schleicher is a freelance commercial and editorial photographer based in the Midwest, with 20 years of professional photograhy experience. Originally from Central Illinois, she has lived in Japan, Colorado, and Los Angeles before settling in Milwaukee with her family. Kat earned a Bachelor of Fine Arts in Studio from the School of the Art Institute of Chicago. Besides photography, Kat has an education background. She's currently a Continuing Ed Instructor at the Milwaukee Institute of Art & Design and volunteers as a 4-H club leader. Her past roles include Adjunct Professor and University Photographer. Before pursuing on photography full-time, Kat worked as an Assistant Language Teacher in Japan, which had a significant impact on her life and work. Her client list includes AARP, Children’s Wisconsin, Condé Nast, Getty Images, Harley-Davidson, Harvard Medical School, Lincoln Motor Company, Mayo Clinic, Northwestern Mutual, Scholastic, The Guardian, University of Wisconsin, and more.
Based in the Midwest (Milwaukee/Chicago). Available for travel worldwide, anywhere, anytime. Exploration and curiosity drive my work as an artist and photographer. I specialize in editorial portrait and advertising photography as well as lifestyle, corporate, food, and travel. I have a BFA in painting, and over twenty years of experience as a photographer. Whether I’m one-on-one with a farmer in the orchard or working with a team in the studio, my goal is to bring a unique vision to the project. I aim to collect moments that are part of a larger whole. Inspirations: mountain views, southwest desert air, finding magic in the ordinary, and getting my hands dirty in a garden. Interests include: cheese (all dairy products in general), plant hoarding, postcard collecting, reading magazines, and and giving belly rubs to my blue heelers.
Director of photography + photographer based in Chicago, Illinois. With more than a decade of experience creating branded content for websites, commercials, documentaries and brand films, I bring practical ideas to help projects thrive. I specialize in creating hybrid video and photo assets for production companies, agencies and corporate clients. I have a passion for shooting in agricultural, construction and manufacturing environments. I take pride in my ability to work with nimble crews to create remarkable visuals.
I'm a commercial photographer with strong video capabilities. My clients find it valuable and convenient to have a partner with skillsets in both stills and motion. I shoot for corporate marketing and communications, for editorial, and for agencies specializing in branding, advertising, and design. I'm often told that I'm easy to work with. Clients trust me because I can put my subjects at ease and tell the stories of real people in an authentic way, from the worker on the shop floor to the CEO.
My name is Greg. I grew up in the South. I never say no to black coffee and chess pie. I know a little bit about a lot of stuff. Like how to tie a bowline, when to prune a rose bush and what makes a tasty rub. I like to pan-fry, sautee, bake, roast and grill whatever I can get my hands on. I married a woman who likes fast cars. Together, we have a couple of kids, a couple of dogs and a trailerful of outdoor gear that is mostly mine. I love my job because I get to meet people from all walks of life. I’ve photographed truck drivers, crabbers, mariachi and linemen. Robot makers, whiskey makers, fridge makers and nut pickers. Professional wrestlers, UN ambassadors, hall-of-famers and polka enthusiasts. Surgeons, CEOs, Air Force One pilots and brewers. Every person I frame up with my camera gives me a little more insight and a broader understanding of what it means to be a person living a life on this planet. Whether I'm telling the stories of real people or working with casting agents to gather the group you like, you can bet I’ll connect with whomever we have on the other side of my camera. Gimme a call and let’s go make some pictures!
For over 30 years Joe has teamed with clients and directed productions large and small, to create dynamic images for American corporations in his studio, and on location around the globe. Laying in a mudpit beneath 11-ton excavators, suspended inches above the highway at 70mph, hanging from helicopters or pausing NY traffic on the Manhattan Bridge, to capture a line of client trucks from a nearby skyscraper. Joe's passion for solving problems and creating great images is what gets him up every day, literally.
Fulton is a world-class image-maker and seasoned creative partner who's built his reputation on a unique vision, tenacious work ethic. paradoxically wrapped in a friendly, easy-going nature. “Every time I look at our image library it makes me happy – everything about it. Thank you so much, John!” — Mary Welsh, Visual Content Manager Americas – Delta Airlines Best known for his powerful people and conceptual work, Fulton has created award-winning campaigns for global brands like Honda, Coca-Cola, Novartis, and AT&T. “John is a work ‘till 4 am, whatever it takes to get it done right, kind of artist. It’s a pleasure tackling projects with him.” “Complex image-making can be a challenge with many artists, but when working with John and his seasoned team, the process is always a blend of professionalism, humor, and artistry.” — John Rosato, Sr. Producer – Mu//en John is based in Atlanta and represented worldwide by: VISU – NYC / LA / Miami
I was an artsy kid, and from a young age I knew I wanted to pursue a career as an artist. For a while I thought I was going to be a painter but as it turns out I'm flat out terrible at painting. Fortunately for me I was given a camera as a teenager and fell in love with taking pictures. I studied photography at the Savannah College of Art and Design. Afterwards I moved to Atlanta where I live with my amazing wife and my chatterbox of a step son. A few of the great clients I’ve had the pleasure of working with in that time include Bristol Myers Squibb, Allergan, Georgia Pacific, Tom Ford, Arby's, Verizon, BULGARI, and Wilson Staff. In addition to assignment work I enjoy pursuing personal projects and creating what I’ve been told is “Fine Art”. My fancy art-photography is represented by Kai Lin Art here in Atlanta. When I’m not doing any of the above you can usually find me traveling disinfecting my groceries, playing banjo, or accumulating cats (most of whom don't really seem to care for the banjo music).
I first started out as a photojournalist so storytelling is in my DNA. With over 12 years experience working in editorial photography I took that knowledge to commercial photography. The goal of any good photo is to draw in a viewer and make a connection. Today, we are overwhelmed with visuals coming at us from phones, computers, televisions, billboards, you name it. So in order to make a statement, images need to resonate with your audience. I pride myself in telling brand narrative stories that bring the viewer in to create an interconnection and showcase an experience. This is my passion. While based in Nashville, TN I've lived all over the United States and experienced the diversity of America. I love meeting new people and making new friends. I grew up in Louisville, KY and it will always be my home. Because of that I'm partial to bourbon, horses, and baseball bats. When not working I enjoy exploring Nashville with my wife, playing the guitar, buying records, or planning my next big trip. So let's make a connection. Tell me your story!
Ryan Ketterman is a commercial photographer and FAA-licensed drone pilot, specializing in industrial and corporate advertising photography and video with a style consisting of colorful and energetic imagery. Running a client-friendly, service-oriented business he believes that great creativity often is the result of team effort and values working closely with his clients. Based in Jacksonville, Florida Ryan and his team are ready to create outstanding visuals for you.
Ryan Wendler is a commercial portrait and lifestyle photographer. His work has been featured both nationally and internationally by some of the world's best-known brands and publications. His photography utilizes natural elements to accentuate a unique perspective and his goal is to create authentic 'true to life' emotions and moments; helping the viewer to see and feel the human impact of the client's brand. Ryan’s work often showcases the subject as the hero and evokes a quiet confidence. His photographs are powerful, show a strong quality of light, and convey a sense of place. Photography is an art form that has allowed Ryan to spend his days encompassed by many of the things that he loves, and he is quite grateful for it.
My relationship with photography dates to elementary school when my family moved into a house with a darkroom. I spent most of my childhood there. In junior high I happed upon Cheryl Tiegs modeling for a shoot in Washington Square. I poached some frames. The pics scored me the job of photo editor of our high school newspaper. This was my big break because my then-classmate Jimmy Hirsch went on to be a staff writer for the New York Times. He somehow talked them into giving me an actual assignment. It went well and they gave me a couple more. It was official. I could legitimately say I shot for the New York Times. That was 1986. A couple thousand assignments later, I have begrudgingly lived through the transition from film to digital. As a reprieve, I have adopted a forgotten photographic process, the photogravure, and am diving deeply into its preservation. My wife, Hilary, whose patience, maturity and wisdom netted us three now-grown children is so supportive of my photogravure obsession that even when she can’t sleep, she asks about it…
I'm an on-location photographer and director. My aesthetic approach is driven by real, textural, compelling moments, whether shooting stills or motion. I specialize in capturing authentic imagery depicting lifestyle, work and industrial scenes for corporate and agency clients and have years of commercial experience including large global image brand libraries, advertising campaigns, editorial and short form motion assets for web & broadcast, as well as one full length documentary. Partial list of clients and project partners include: ebay, Mississippi Tourism, Marley Coffee, Microsoft, Morgan Stanley, AMD, Deutsche Bank, Intel, Nike, AMEX, American Airlines, GE, Disney World, Time Warner, Time Magazine, Sports Illustrated, J. Walter Thomas, People Magazine, AG Edwards, CDW, Y & R, Fleishman-Hillard, McCann-Erickson, FutureBrand and more. I have had the unique privilege of having one of my images selected for a USPS First-Class Forever stamp. I have 2 published books: Hidden History of Mississippi Blues (History Press) and Mississippi Juke Joint Confidential: House Parties, Hustlers & the Blues Life (Arcadia Publishing).
In nearly fifteen years of photographic practice, I’ve shot pretty much everything: portraits for magazines, big corporations, and good ol’ straight up advertising; interiors for editorial and commercial clients; and tabletop for many magazines and one giant tech company. I’ve always had a hard time defining what kind of work I do because of that diversity, but most of the time it goes like this: An agency hires me for a portrait project. It goes pretty well and they like working with me, so they hire me for a corporate or advetising job, which together we crush. We are thick as thieves at this point, so when their client asks them: ‘hey, we want to shoot this whatchamacallit, what do you think?’ they think of me because I’m: 1. easy to work with, 2. good with lighting and technical stuff, 3. happy solving problems on the fly, and 4. always delivering to spec and on time. I will get into the infiniti pool without being asked, if that’s where the picture is.
Ben Brewer is a photojournalist and cinematographer specializing in the fields of editorial photography, documentary, and multimedia storytelling, based in the Midwest U.S. — creating authentic, dynamic visuals for editorial and corporate clients to tell unique, engaging, and visually arresting stories the world over. He is a frequent contributor to national editorial clients and corporate brands in both stills + motion and holds an FAA Part 107 certification for professional drone and aerial photography/cinematography.