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A large medical device manufacturer needed a brand narrative, health care, and technology photographer for images of their new device being used by five talent. Producer Bryan Sheffield helped the photographer quote the campaign for 20 images to be used for 10 years after the first use.
Producer Bryan Sheffield aids a photographer in estimating a project for a restaurant group’s advertising campaign. The client needed a specialist in portraiture as well as food/drink in order to highlight the restaurant’s chefs along with their creations.
An interior design firm needed a NYC-based photographer to capture pictures of their work on a celebrity client’s home. Producer Bryan Sheffield helped the photographer quote the project and schedule the shoot for a beautiful autumn day.
Bryan Sheffield aided a NYC-based photographer in building an estimate for a multi-day shoot with a large financial institution. After the agency determined the shoot days needed an adjustment, Bryan reworked the estimate to better suit the client’s needs.
Producer Bryan Sheffield helped a NYC-based photographer negotiate a project for an interior design firm that had just finished a 3-floor redesign of the office space of a well-known social media company.
Craig Oppenheimer puts together an estimate for an international hotel, featuring two talent enjoying the amenities of the hotel captured in both stills and video.
A large art museum needed an architectural, interiors, and lifestyle photographer for images of patrons enjoying their exhibits. Producer Bryan Sheffield helped the photographer quote the campaign for 30 images to be used for 5 years after the first use.
Executive Producer Craig Oppenheimer worked with a portrait photographer to produce an estimate for an ambassador apparel company. With four talent, three poses, and two looks the client needed 24 images for 1-year use, with broad usage plans for out-of-home displays.
Senior Producer Bryan Sheffield helped a photographer quote on an OOH campaign for an international non-profit client, pricing everything from covid tests to hiring assistants.
Executive Producer Craig Oppenheimer helps a photographer put together a retainer agreement for a beverage client. The pricing accounted for multiple images to be used for social media.
Executive Producer Craig Oppenheimer works with a pharmaceutical client to produce an estimate for still life images. The fee included unlimited use for two years.
Producer Craig Oppenheimer puts together an estimate for an energy company. The client wanted images of workers in an industrial setting and requested the use of all images captured in perpetuity.
Producer Craig Oppenheimer works with a pharmaceutical company to produce an estimate for a lifestyle shoot of talent interacting around a residential property. The client required unlimited use of all images captured in North America for one year.
Bryan Sheffield puts together an estimate for an international hospitality brand. The client requested unlimited use of 5 images in perpetuity and unlimited use of 30 images for 1 year.
Producer Craig Oppenheimer works with a lifestyle and portrait photographer to produce an estimate for a luxury vacation brand. The client needed up to 30 images and unlimited use for two years.
A large food manufacturer needed an industrial and lifestyle photographer for images of a food manufacturing facility. The food manufacturer went to a medium-sized agency to find what they needed and Craig Oppenheimer helped the photographer quote the campaign.
An international beer brand needed lifestyle/environmental portraits for social media and web-based advertising. The beer brand went to a social media agency that already had a photographer in mind. Bryan Sheffield helped the photographer quote the campaign.
A regional hospitality brand needed still imagery and video, and after a few rounds of revisions and updates, Bryan Sheffield delivered an estimate that helped a lifestyle/architecture photographer land the job.
A large alcohol brand needed a photographer with celebrity portraiture experience to create quality imagery in short order. Here’s how Craig Oppenheimer determined the fees for labor and licensing.
